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Entry Island Book Review: New detective investigates age-old injustices

There is a certain pleasure (however smug) in being ahead of the curve when spotting a particularly gifted writer, and a certain regret when the masses catch up with your discovery. The latter, of course, is the state desired by author and publisher, and Peter May has now made the transition from connoisseurs’ taste to popular bestseller.

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Submission Guidelines

About Us

Jo Fletcher Books is an imprint of Quercus Publishing, an Hachette UK company. Jo Fletcher Books is a specialist science fiction, fantasy and horror imprint, but as Jo’s own personal tastes in fiction have always been so wonderfully eclectic, and as the field of imaginative literature is so incredibly wide, Jo Fletcher Books is going to be as broad a church as possible, hopefully publishing something for everyone. Submissions Jo Fletcher Books currently accepts unsolicited submissions, but only by email. If you wish to submit, please email the first 10,000 words, or the first three chapters of your novel to submissions@jofletcherbooks.co.uk in the following format: Word doc Font: Times New Roman Font size: 12 Spacing: Double-spaced Please include a brief covering letter in the body of the email, and a short synopsis (no longer than one page) in a separate attachment. Please note the following: We only accept submissions that can be categorized as Science Fiction, Fantasy or Horror. If your novel does not fall into any of these genres it will not be considered. We do not accept short stories or novellas. We do not publish children’s books. We will consider YA, but only if it can be classed as YA/Adult crossover. We accept manuscripts that have been previously self-published as long as the author is happy to let all rights revert to us on signature of any contract. Jo Fletcher Books is not an agency, but a publishing house. If you are looking for representation we recommend you use The Writers’ and Artists’ Yearbook, which contains a comprehensive and up-to-date list of agents currently taking on new authors We get a great many submissions, so it is not possible to respond to everyone individually, and we do not give feedback. If you have not heard from us within six months, please assume you have been unsuccessful in this instance. Agents: please note this email address is for unsolicited submissions only.

Crime Files discovers what Tom Callaghan would do as the master of Cluedo and who he'd have at his dream dinner party. . .

Q&A with Tom Callaghan

If you were stranded on a desert island and could take one crime novel, one DVD boxset and one character from a crime novel, who/what would you take? ‘The Big Sleep’, ‘The Wire’, Charlie Parker from the John Connolly books. Who would you invite to your dream dinner party and what would be on the menu? Ernest Hemingway, Ezra Pound, James Lee Burke, Stephen King, Basil Bunting, Captain Beefheart, Miles Davis. We’d eat Cantonese, steak, vegetarian, Classic Italian, rural French, and lots to drink. But the real answer is a mix of Thai and Vietnamese dishes with my wife Sara and my son Akyl. Are you a hero or a villain? I’d probably be the observer who avoids getting involved, a minor character whose name appears halfway down the credits. What is your favourite line from a film/TV series/book?· What crime novel do you wish you had written? Film: “I have seen things you people wouldn’t believe… Attack ships on fire off the shoulder of Orion. I watched c-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time… to die…” TV series: Bladerunner Book: I would love to have written ‘The Big Sleep’. If your book was being made into a film, who would you want to play the lead character? Ideally, a Kyrgyz actor should play the part of Akyl Borubaev, which would be the opportunity of a lifetime. But if the film were set somewhere else, then you’d want a tough guy who’s also compassionate. Daniel Craig? Where are Bogart and Mitchum when you need them? What’s the scariest place you’ve visited? Peru, in the middle of a civil war. OR Rochdale town centre, on a Saturday night. You are master of cluedo and have any name, weapon and room at your disposal, whodunit and what happened? As I’m the master, I’m taking the game out of Tudor Hall, and placing it in the Kulturny bar in Bishkek. All the rooms have dead gangsters in them, shot, stabbed or poisoned. Whodunit? It’s up to Murder Squad Inspector Akyl Borubaev to find out…

Quercus Autumn 2015

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Quercus Spring 2016

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Quercus Spring 2016

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Rosanna Ley's top tips for fiction writing

Rosanna Ley is the best selling author of The Villa, Bay of Secrets and the forthcomingReturn to Mandalay. She has worked as a creative tutor for over twelve years, leading workshops in the UK and abroad, and has completed an MA in creative writing. Her writing holidays and retreats take place in stunning locations in Italy and Spain. Rosanna has written numerous articles and stories for national magazines. When she is not travelling, Rosanna lives in West Dorset by the sea. www.rosannaley.co.uk ROSANNA’S TOP TIPS • Let the idea for your story compost while you indulge in free writing/ thought-storming/ day-dreaming/ going for long walks etc. Create a space for your story. • Switch off your phone and avoid Internet and social media for at least 3 hours a day to enable more writing time. • Don’t just write what you know – write what you want to explore and discover. • Get inside your characters’ heads by being there with them – as far as you are able. • Check that your dialogue sounds natural, isn’t written in speeches, is not too heavy on dialect and doesn’t include too many extravagant tags like ‘he enthused…’ • Remember – every scene should progress the story in some way. • Create characters who are believable, interesting, fully rounded and who don’t do impossible things. • Forget the word count and cut, cut, cut – especially the waffly and self-indulgent bits. Less is more. • Never forget that readers are intelligent. They do not have to have everything explained to them as if they were four years old. Have faith. • Read your work out loud to yourself and the dog or a willing partner. Not so much for feedback (esp from dog) but to listen to the rhythms of your writing and to spot slow pace, repetition and sag. • Listen to criticism. Take most of it on board. Don’t allow yourself to be destroyed by negativity. Re-work. Re-write. Persevere. • Remember that writing is work. And you’re on your own. But you can still have fun.

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Jessica Cornwell talks about her inspiration for writing her new novel, The Serpent Papers.

Writing The Serpent Papers

When I set out to write a novel, the first thing I encountered in the dark recess of my imagination was a man. His name was Ferran Fons, and he was a lonely, aging, professor at a drama school in Barcelona. Fons had an office window facing the theatre across the courtyard and so he spent the majority of his day staring at an enormous poster hanging from the wall of the building. The poster featured a portrait of a beautiful young woman. Her name – I knew in a flash – was Natalia Hernandez. And very soon she was going to die. In the weeks and months following my discovery of Natalia Hernandez, I found myself writing a mystery. New characters sprang into being – the irascible Inspector Fabregat with his love of rich food and distaste for murder – tormented by the unsolved deaths of four young women, bodies tattooed with cryptic letters, tongues cut from their mouths. Next came Rex Illuminatus: a thirteenth century Majorcan mystic who hid The Serpent Papers beneath an alchemical scrawl, secreting away an ancient manuscript written in the language of witches. Anna Verco presented herself as a young, American academic whose psychic abilities and quest to find the Serpent Papers lead her into the drawing room of Inspector Fabregat… a decade after the murder of Natalia Hernandez. I had not set out to write a thriller, but suddenly I was. Not only that, but I knew, without doubt, upon finding Anna, that I was also writing a trilogy. I read and reread the Girl with the Dragon Tattoo. While making notes in the margin of Sir Arthur Conan Doyle’s A Study in Scarlet, I repeatedly returned to Wilkie Collin’s The Moonstone and the gothic novels of Horace Walpole and Mary Shelley. I wanted to write a contemporary thriller that had its roots in nineteenth century crime, so I analyzed the structure of the gothic novel, and decided that the first pulp books had evolved into vampire stories and then into serial killer narratives. I set the book in Barcelona’s gothic quarters, with its air of supernatural menace. Amidst the distinct flavor of an old, and violent, fairy tale – I saw Anna Vero driving the action forward. I loved her feminism, her single mindedness, her independence and focus, and how little she wanted to share of herself. Anna takes her lead from The Killing’s Sarah Lund, The Bridge’s Saga Norén (with whom I am completely obsessed) and Lisbeth Salander – the queens of Scandi Noir – but she’s also a very different interpretation of the genre’s damaged ‘woman detective’ or female protagonist. She blends the supernatural and the hyper-real, and in that way I think she’s quite original – and genre-bending. She also consistently surprises me, leading me on unexpected adventures into Palaeography courses at Senate House in London, the Manuscript room at the British Library, and up rocky Majorcan trails in the pouring rain. Throughout, Anna Verco remains deliciously, autonomously her own.

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MacLehose Press

The MacLehose Press is devoted to the translation of literature and crime fiction into English, and to the publication of a very few outstanding writers in English. The Press has already broken new ground with the #1 bestselling success of the Swedish writer Stieg Larsson and with many other critically acclaimed books including translations from Italian, Spanish, Polish, Icelandic, French, and Arabic.

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Keep Books on the High Street

Find your local bookshop

Our books are available through most booksellers. Follow the link to find your local chain and independent bookshops - for browsing the good, old-fashioned way.

Keep Books on the High Street

Find your local bookshop

Our books are available through most booksellers. Follow the link to find your local chain and independent bookshops - for browsing the good, old-fashioned way.

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Crime Files

Crime Files brings you a selection of the finest crime and thriller fiction around from Quercus, Hodder and Headline.