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Team Jamie or Team Jinx? Which handsome hunk will Lucky choose - once she's dealt with the demon assassin on her trail, that is?Lucky's always known about her own psychic powers - after all, her closest friend is a ghost - but she knows nothing of her long-dead family . . . until a daemonic assassin brings a message that drags both Kayla and Lucky down to the Underlands - and into the political fight for the daemon king's throne. Lucky's determined to find her way home, but Jinx and Jamie have both marked her - and now she's not sure she even wants to escape the loving attentions of her handsome winged Guardian and her devilishly charming horned Deathbringer.And if she stays, she might just find out who she really is . . .'Reads like the Sookie Stackhouse series combined with the sinister undertones of Neil Gaiman's Neverwhere' says Booklist.

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Terms & Conditions: 1 This is a competition for an early copy of How To Play the Piano by James Rhodes, To enter, please tweet @quercusbook or post on facebook.com/quercusbooks why you’d love to learn the piano using the hashtag #HowToPlaythePiano. 2. The winner will be selected from the correct entries received in accordance with these terms and conditions based on the following criteria: creativeness of entry and creativeness of reason for wanting to win the prize. The winner shall be selected by Quercus Books, whose decision will be final. 3. The winner may see their entry posted on the Quercus Books (hereinafter the ’Company’) website and on other websites and social media accounts. 4. There is no purchase necessary to enter. 5. The competition opens at 12:01 am BST on 10th August and closes at 11:59 pm BST on 17th August. Any entries received outside these specified times and dates will not be eligible for entry into the competition. 6. The competition open to anyone aged 16 or over in the UK except employees of the Company, their families, or anyone professionally connected to the competition either themselves or through their families. If the winner is under 18 years of age, the winner will be asked to have his or her guardian complete waivers, consent forms and/or other documentation as prerequisite for being awarded the prize. 7. Only one entry per person allowed. Second or subsequent entries will be disqualified. Entries will not be accepted via agents, third parties or in bulk. a. By submitting your entry, you agree and warrant that (i) your entry is your own original work; (ii) nothing in your entry is defamatory, private or an infringement of copyright or other intellectual property right or in any way a breach of another’s right; (iii) any music used in your entry is original to you or you have written permission from the owner. We reserve the right to ask for the permission before any prize is distributed. Any entry in breach of this clause will be disqualified from participating in the competition and from winning any prize. b. By entering the competition, you hereby grant to the Company an irrevocable, perpetual, royalty free, worldwide and for all languages, licence to copy, adapt, edit, distribute, publish, sublicense, and in any and all other ways use your entry for any purpose, in any manner and in all media now known or hereinafter devised. Furthermore, you waive all moral rights whatsoever in your entry. For the avoidance of doubt, the Company is under no obligation to make any use of your entry and the Company shall make no payment to you for any use of your entry. c. We reserve the right to use all the submissions received on our website, our Facebook pages and on our other social networking sites. We will try to include the name of the entrant but this may not always be possible. 8. The Company is not responsible for contacting or forwarding prizes to entrants who provide unclear or incomplete information or for entries lost, misdirected, delayed or destroyed. 9. The Company reserves the right to alter the prizes or cancel the competition without notice. No cash alternatives to prizes will be provided. 10. The winner’s name will be published on the Quercus Books Twitter feed on 19th August. 11. The Company will make available the name and county of the winner to anyone who requests this information by writing to the following address Quercus Books, Carmelite House, 50 Victoria Embankment, London, EC4Y 0DZ. 12. The email addresses of entrants may be shared with companies within the Hachette group of companies but will not be shared with other companies outside the Hachette group. It will be used by the Hachette companies to send you news about books, products and promotions. You will be given the option of opting out in those emails if you don’t want to receive any further news. 13. By entering the competition you agree to be bound by these terms and conditions. 14. This competition is being organised by Quercus Books, Carmelite House, 50 Victoria Embankment, London, EC4Y 0DZ. 15. These terms and conditions and any disputes or claims (including non-contractual disputes or claims) arising out of these terms and Conditions shall be governed and construed in accordance with the laws of England, whose courts shall have exclusive jurisdiction.

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Jo Fletcher Books is an imprint of Quercus Publishing, an Hachette UK company. Jo Fletcher Books is a specialist science fiction, fantasy and horror imprint, but as Jo’s own personal tastes in fiction have always been so wonderfully eclectic, and as the field of imaginative literature is so incredibly wide, Jo Fletcher Books is going to be as broad a church as possible, hopefully publishing something for everyone. Submissions Jo Fletcher Books currently accepts unsolicited submissions, but only by email. If you wish to submit, please email the first 10,000 words, or the first three chapters of your novel to submissions@jofletcherbooks.co.uk in the following format: Word doc Font: Times New Roman Font size: 12 Spacing: Double-spaced Please include a brief covering letter in the body of the email, and a short synopsis (no longer than one page) in a separate attachment. Please note the following: We only accept submissions that can be categorized as Science Fiction, Fantasy or Horror. If your novel does not fall into any of these genres it will not be considered. We do not accept short stories or novellas. We do not publish children’s books. We will consider YA, but only if it can be classed as YA/Adult crossover. We accept manuscripts that have been previously self-published as long as the author is happy to let all rights revert to us on signature of any contract. Jo Fletcher Books is not an agency, but a publishing house. If you are looking for representation we recommend you use The Writers’ and Artists’ Yearbook, which contains a comprehensive and up-to-date list of agents currently taking on new authors We get a great many submissions, so it is not possible to respond to everyone individually, and we do not give feedback. If you have not heard from us within six months, please assume you have been unsuccessful in this instance. Agents: please note this email address is for unsolicited submissions only.

Q&A with Andreas Norman

If there was a film of Into A Raging Blaze, who do you think would play the main characters of Bente Jensen, the Secret Service Head, and Carina Dymek, the civil servant on the run? Well, the Swedish original of Into A Raging Blaze (En rasande eld), is actually being adapted for bigscreen right now by a major Swedish film company. They are right now starting to cast it! But then of course, Bente and Carina will be played by Swedish actors. In a British remake I would love to see a character actress like Jodie Foster or Imelda Staunton play Bente, who could take on that utterly unsentimental, tough-minded, no-nonsense type of woman. Carina – I think Maggie Gyllenhaal, Emily Blunt or Sarah Solemani would be perfect for the role. Brainy actresses with a lot of energy. You worked in the Swedish Ministry of Foreign Affairs for ten years in Counter-terrorism and Security. Can you tell us anything about the kinds of projects you worked on, and what it was like? They were mainly projects launched to prevent further terrorism – in other words, the recruitment and radicalisation of individuals and groups in countries around the world. I can't tell you much more, it is all very classified information; other than that we worked in partnership with other countries on this, and their police forces, intelligence agencies as well as various local non-governmental organisations. Our main slogan was: counter-terrorism without the respect for human rights is counter-productive. That was a one-liner I came up with, actually, in order to easily convey the Swedish view on these matters. And I still believe that it is absolutely valid. If you violate people's basic rights, you will end up with more politically motivated violence, and that is unfortunately what is happening today in, for example, Pakistan and many other places around the world today. How much is the diplomatic service as portrayed in the novel based on your experience of that world? The descriptions of the Ministry’s interior and other places are absolutely authentic; you could use the book for a guided tour around the Swedish MFA and the Government offices! If you ever visit the pub Pickwick’s on the corner of Fredsgatan and Drottninggatan in Stockholm, where all the civil servants hang out after work, look out for the elk head hanging on the inner wall. You'll find that place, and all other locations in the book exactly as I describe them. It was great fun to portray my workplace and the people in it. There are such a wealth of stories and characters in the diplomatic and intelligence community, that for most of the time remain untold, unseen, due to the secrecy that surrounds the trade. At the same time, there’s a lot that is universal which every person who spends their days in an office can easily relate to: the struggle for having an office with a nice view, the byzantine procedure for requisitioning an ergonomic chair, the career angst, all that. You left the Ministry to become a full time writer. What do your former colleagues think of the novel? Were you worried about revealing any government secrets? They think it’s great! I was surprised and happy to get so many positive reactions from colleagues in the MFA. Dozens of ambassadors and desk officers from all over the world have emailed me to congratulate me on what they felt was both a very entertaining and wholly accurate panorama of the rather absurd everyday life in the foreign service. I think many felt that, for once, their profession and work life had been portrayed in an authentic way. I wasn't worried for a second that I would reveal any secrets. I'm so used to handling classified information, you know, and the people in the ministry knows that. But just to be sure, I actually read my first draft as if I were looking for intelligence, classified procedures, etc. In some cases I obscured one or two details to make sure that Into A Raging Blaze would be useless – as intelligence, I mean. Your novel has a plot point whereby British agencies and GCHQ use cyber-spying to access private communications in European countries, even from governments. Was this based on fact when you wrote it, and if so, how did you come across the information? Sure, this is common practice. Just look at what Snowden revealed: NSA tapping the mobile phones of Chancellor Merkel and President Hollande. That’s just the tip of the iceberg. My book basically outlines GCHQ’s mass surveillance programme code-named Tempora. I was not aware of the code name at the time I wrote the book, but knew something like this existed. That was in 2009. It was also in this period that NSA got enormously enhanced capacities to collect and store data, and later, to mine them. They were building big new facilities in Utah for data storage. As part of my job in the Foreign Ministry, I had the opportunity to learn how the signals intelligence agencies were organised, their methods, their technology. It was top secret back then; now you can find all about it on Google in an instant. Since you wrote the novel and it was published in Sweden, the world woke up to the same reality when Julian Assange published Edward Snowden’s leaked documents. What was the reaction to your book when this happened? A lot of readers were surprised by how close to reality my book actually was. Everyone who read it reacted with, ‘Wow, did you know about all this?’ Especially since the depth of the partnerships between NSA, GCHQ and the Swedish signals intelligence agency FRA was revealed later that year. Then even political op ed's in the main Swedish papers started using my book as a starting point for discussing the surveillance scandal, which thrilled me. The Swedish agency took a lot of criticism for being mixed up in the mass surveillance revealed by Snowden, and my story pointed towards precisely this partnership. It´s called Five Eyes, by the way. Al Gore has now come out in support of Snowden. What do you think of Snowden’s and Assange’s actions, and the reaction to them? I completely agree with Al Gore's statement. Snowden has done everyone a great service. Leaking classified information is always damaging someone, and sure, if it’s being revealed to the public, there is a risk of jeopardizing national security or hampering operations that can save lives. But when state agencies like the NSA or GCHQ operate massive systems that violate the basic civil rights of millions of innocent people, and do so without any democratic control, you end up with a state within the state; an omnipotent machine working outside the boundaries of democratic society, and that is very dangerous. That cannot be tolerated in an open, democratic, rule of law-based society. Assange created the platform for leaks, and Snowden provided the content. How uncomfortable it ever may be for state agencies and corporate executives, I think society will always need whistle-blowers like them. That the intelligence community reacts with horror is no surprise. Disappointing, but not a surprise at all, is the way the Obama administration is pursuing whistle-blowers like Snowden and Manning, in spite of their rethoric about openness. What is most worrying is the complacency of the public. But I think this is due to the fact that we, the ordinary internet users, have no alternative to the internet. Even though our digital lives are being monitored we have no real way to protest, since you can't really say, ‘Hey, I'll stop using the internet and go buy some other product!’ In a way, it shows the limits of consumer power. What is needed are sound state policies that put citizen rights first. The leaked documents in your novel are plans for a Europe-wide intelligence service that would not only cross borders, but skirt national and international law in the name of counter-terrorism. Are there any signs that this is a real possibility, and what would you consider are the major risks of such an operation? The idea came to me when I learned about the US drone warfare in Pakistan. There you have exactly this situation. The US Air Force fly thousands of drone missions for the CIA over Pakistan every year. They fly wherever they want, target whomever they want, regardless of Pakistani law, and probably also in violation of international law. What if drone missions were carried out over UK soil, with the silent approval of the British government and the EU? That is the question I hope my book raises. Even more chilling is that the US administration also targets its own citizens, putting not only foreigners but Americans on so-called 'kill lists'. This practice not only violates basic rights of individuals, but weakens the judicial system, and corrodes the trust we put in our governments. It's a disturbing development. Your fictional ‘European Intelligence Service’ had a clause allowing American services to launch attacks within European borders if they could justify a potential threat. Your novel shows convincing ‘threats’ can easily be created from little evidence. Do you think that US intelligence services pushes the boundaries of acceptable strategy, and how much are European services in thrall to them? Yes, well, you know, intelligence services are masters of fabrication and betrayal. To fabricate ‘threats’ to support wars and other foreign policy adventures are textbook tactics. Just think of the introduction to the Iraqi war, and the massive fabrication of ‘threats’ back then. Or the last and current US administration's circumvention of international law, in order to justify huge counter-terrorism operations. Today, the Obama administration have moved more towards extrajudicial assinations, drones and special forces operations, and the CIA, together with parts of the US military, like the Joint Special Operations Command (JSOC) have turned into smooth war machines. What if it would lie in the interests of the US to launch the same counter-terrorism operations they carry out in Afghanistan or northern Pakistan in the heart of Europe, and the EU would condone it? That question lies at the core of my book. It's fiction, but at the same close to reality. Because all intelligence services depend more or less on each other. You trade intel, you build alliances. The US service is the most powerful player, simply on the strength of their vast capacities. They can push boundaries to fit their objectives and cooperate with European services when it serves their interests. The Brits have a privileged position in this business, being very close to the US system, whereas the Swedes are just a minor, but useful partner. As I put it in Into A Raging Blaze: the Brits and Americans create the weather of tomorrow, while the Swedes are forced to guess the forecast. In the novel, a young Egyptian-born civil servant in the Swedish Ministry of Justice is suspected of being linked to a terrorist cell. How much do you think immigrated Arabs, North Africans and people of Islamic origin are at risk of being unjustly persecuted? Or is paranoia justified in the face of a terrorist threat? Intelligence services nurture professional paranoia, and rightly so; it’s part of their job description to be suspicious. But in the today’s era of counter-terrorism, with its strong focus on Islamic fundamentalism, whole Muslim minorities run the risk of being regarded as a ‘problem’, or an environment conducive to political violence and terrorism. When a security service try to pin down someone who might pose a terrorist threat, a large number of people are screened, which is standard procedure for all investigations. The problem is, with the mass surveillance currently in use, it is possible to screen literally millions, which means that whole populations of Muslims or immigrants – for example, everyone in the UK with the surename ‘Mohammad’ – could be routinely monitored. This is a depressing reality, and adds to the strong islamophobic tendencies we witness in Europe today. In the UK, John Le Carré’s novels were instrumental in forming the spy compromised group in opposition to the realpolitik practices of ‘big brother’ CIA. In your novel there’s a similar relationship, but between the Swedish and British, relatively. Is this a realistic portrayal? Yes, absolutely! The only difference is, Swedes are nicer because they are weaker and further down the food chain in global politics. If Swedish services had the same spying capacity as the colleagues in Vauxhall, not to mention Langley, they would be meaner, I'm sure. But there are historic reasons as well to why Swedish services are less ruthless than their AngloSaxon counterparts: we have not been forced to fight for our survival in World War II or fight terrorism at home; we have no recent colonial history, no real ambition to dominate the world – other than perhaps through exports of pop music, cars and crime novels. Swedish intelligence services are just small, efficient sub-suppliers in the global security business. It’s funny you mention LeCarré, since his latest novel A Delicate Truth is quite a turnaround where he portrays the British government and the MI6 as the corrupt and morally rotten ones, don't you agree? I hope Mr LeCarré nods in approval of my portrayal of the Swedish-British relationship. The recent European elections saw a surge in extreme right-wing groups gaining votes. Why do you think this is, and how might it affect counter-terrorism and relationships between diplomatic services? Oh, I just get depressed when I think about the recent EU-parliament election . . .The reasons for this can probably be found in the recent economic recession that plagued many European countries since the Lehman Brothers crash in 2008. Europe is being strongly affected by globalization, and financial crises with immediate repercussions in national economies, resulting in redunduncies and harsher everyday lives for a lot of people. This generates fear and hatred. When citizens don't feel that there is a social contract anymore, that there is no state to provide them with basic services, there is always a temptation to join the populist chant. It’s easy to blame immigrants, or a weak minority with no voice, like the Roma. Fascism offers a tempting dream of unity and strength. It’s an enthusiastic ideology, selling easy solutions. Unfortunately, a lot of people are lost in this dream nowadays. To diplomats, the appearance of right-wing extremists in leading positions around Europe complicates bilateral relations. Some relations will become frosty, new alliances will be made. For example, a social liberal democracy like Sweden cannot rely on support from Hungary or Denmark in the EU-council for its view on migration. And so on. For professionals in the intelligence services, an increase of militant right-wing extremists of course means more work, and in the long-term perhaps also a shift towards monitoring right-wing terrorist networks more closely. After the Utöya massacre and the bombing of the Norwegian government offices in 2012, this has certainly been the case with Norwegian and Swedish security services. What are you writing next? I have a book out in autumn, 9,3 på Richterskalan (9,3 on the Richter scale). It's an eyewitness account of my days in Thailand after the tsunami on Boxing Day 2004. I was sent to Thailand as a member of some one the first response teams, being a young diplomat who just entered the service. My publisher calls it a harrowing read, I suppose it is. Right now, I'm writing the sequel to Into A Raging Blaze. You'll see more of Bente Jensen, this time in a family crisis with lethal consequences. Surveillance, counter-espionage, deadly lies and deception, all against the backdrop of the recent Crimea crisis. That’s about all I can tell you, the rest is classified!

His ideas and inspirations behind Into A Raging Blaze

Q&A with Andreas Norman

If there was a film of Into A Raging Blaze, who do you think would play the main characters of Bente Jensen, the Secret Service Head, and Carina Dymek, the civil servant on the run? Well, the Swedish original of Into A Raging Blaze (En rasande eld), is actually being adapted for bigscreen right now by a major Swedish film company. They are right now starting to cast it! But then of course, Bente and Carina will be played by Swedish actors. In a British remake I would love to see a character actress like Jodie Foster or Imelda Staunton play Bente, who could take on that utterly unsentimental, tough-minded, no-nonsense type of woman. Carina – I think Maggie Gyllenhaal, Emily Blunt or Sarah Solemani would be perfect for the role. Brainy actresses with a lot of energy. You worked in the Swedish Ministry of Foreign Affairs for ten years in Counter-terrorism and Security. Can you tell us anything about the kinds of projects you worked on, and what it was like? They were mainly projects launched to prevent further terrorism – in other words, the recruitment and radicalisation of individuals and groups in countries around the world. I can't tell you much more, it is all very classified information; other than that we worked in partnership with other countries on this, and their police forces, intelligence agencies as well as various local non-governmental organisations. Our main slogan was: counter-terrorism without the respect for human rights is counter-productive. That was a one-liner I came up with, actually, in order to easily convey the Swedish view on these matters. And I still believe that it is absolutely valid. If you violate people's basic rights, you will end up with more politically motivated violence, and that is unfortunately what is happening today in, for example, Pakistan and many other places around the world today. How much is the diplomatic service as portrayed in the novel based on your experience of that world? The descriptions of the Ministry’s interior and other places are absolutely authentic; you could use the book for a guided tour around the Swedish MFA and the Government offices! If you ever visit the pub Pickwick’s on the corner of Fredsgatan and Drottninggatan in Stockholm, where all the civil servants hang out after work, look out for the elk head hanging on the inner wall. You'll find that place, and all other locations in the book exactly as I describe them. It was great fun to portray my workplace and the people in it. There are such a wealth of stories and characters in the diplomatic and intelligence community, that for most of the time remain untold, unseen, due to the secrecy that surrounds the trade. At the same time, there’s a lot that is universal which every person who spends their days in an office can easily relate to: the struggle for having an office with a nice view, the byzantine procedure for requisitioning an ergonomic chair, the career angst, all that. You left the Ministry to become a full time writer. What do your former colleagues think of the novel? Were you worried about revealing any government secrets? They think it’s great! I was surprised and happy to get so many positive reactions from colleagues in the MFA. Dozens of ambassadors and desk officers from all over the world have emailed me to congratulate me on what they felt was both a very entertaining and wholly accurate panorama of the rather absurd everyday life in the foreign service. I think many felt that, for once, their profession and work life had been portrayed in an authentic way. I wasn't worried for a second that I would reveal any secrets. I'm so used to handling classified information, you know, and the people in the ministry knows that. But just to be sure, I actually read my first draft as if I were looking for intelligence, classified procedures, etc. In some cases I obscured one or two details to make sure that Into A Raging Blaze would be useless – as intelligence, I mean. Your novel has a plot point whereby British agencies and GCHQ use cyber-spying to access private communications in European countries, even from governments. Was this based on fact when you wrote it, and if so, how did you come across the information? Sure, this is common practice. Just look at what Snowden revealed: NSA tapping the mobile phones of Chancellor Merkel and President Hollande. That’s just the tip of the iceberg. My book basically outlines GCHQ’s mass surveillance programme code-named Tempora. I was not aware of the code name at the time I wrote the book, but knew something like this existed. That was in 2009. It was also in this period that NSA got enormously enhanced capacities to collect and store data, and later, to mine them. They were building big new facilities in Utah for data storage. As part of my job in the Foreign Ministry, I had the opportunity to learn how the signals intelligence agencies were organised, their methods, their technology. It was top secret back then; now you can find all about it on Google in an instant. Since you wrote the novel and it was published in Sweden, the world woke up to the same reality when Julian Assange published Edward Snowden’s leaked documents. What was the reaction to your book when this happened? A lot of readers were surprised by how close to reality my book actually was. Everyone who read it reacted with, ‘Wow, did you know about all this?’ Especially since the depth of the partnerships between NSA, GCHQ and the Swedish signals intelligence agency FRA was revealed later that year. Then even political op ed's in the main Swedish papers started using my book as a starting point for discussing the surveillance scandal, which thrilled me. The Swedish agency took a lot of criticism for being mixed up in the mass surveillance revealed by Snowden, and my story pointed towards precisely this partnership. It´s called Five Eyes, by the way. Al Gore has now come out in support of Snowden. What do you think of Snowden’s and Assange’s actions, and the reaction to them? I completely agree with Al Gore's statement. Snowden has done everyone a great service. Leaking classified information is always damaging someone, and sure, if it’s being revealed to the public, there is a risk of jeopardizing national security or hampering operations that can save lives. But when state agencies like the NSA or GCHQ operate massive systems that violate the basic civil rights of millions of innocent people, and do so without any democratic control, you end up with a state within the state; an omnipotent machine working outside the boundaries of democratic society, and that is very dangerous. That cannot be tolerated in an open, democratic, rule of law-based society. Assange created the platform for leaks, and Snowden provided the content. How uncomfortable it ever may be for state agencies and corporate executives, I think society will always need whistle-blowers like them. That the intelligence community reacts with horror is no surprise. Disappointing, but not a surprise at all, is the way the Obama administration is pursuing whistle-blowers like Snowden and Manning, in spite of their rethoric about openness. What is most worrying is the complacency of the public. But I think this is due to the fact that we, the ordinary internet users, have no alternative to the internet. Even though our digital lives are being monitored we have no real way to protest, since you can't really say, ‘Hey, I'll stop using the internet and go buy some other product!’ In a way, it shows the limits of consumer power. What is needed are sound state policies that put citizen rights first. The leaked documents in your novel are plans for a Europe-wide intelligence service that would not only cross borders, but skirt national and international law in the name of counter-terrorism. Are there any signs that this is a real possibility, and what would you consider are the major risks of such an operation? The idea came to me when I learned about the US drone warfare in Pakistan. There you have exactly this situation. The US Air Force fly thousands of drone missions for the CIA over Pakistan every year. They fly wherever they want, target whomever they want, regardless of Pakistani law, and probably also in violation of international law. What if drone missions were carried out over UK soil, with the silent approval of the British government and the EU? That is the question I hope my book raises. Even more chilling is that the US administration also targets its own citizens, putting not only foreigners but Americans on so-called 'kill lists'. This practice not only violates basic rights of individuals, but weakens the judicial system, and corrodes the trust we put in our governments. It's a disturbing development. Your fictional ‘European Intelligence Service’ had a clause allowing American services to launch attacks within European borders if they could justify a potential threat. Your novel shows convincing ‘threats’ can easily be created from little evidence. Do you think that US intelligence services pushes the boundaries of acceptable strategy, and how much are European services in thrall to them? Yes, well, you know, intelligence services are masters of fabrication and betrayal. To fabricate ‘threats’ to support wars and other foreign policy adventures are textbook tactics. Just think of the introduction to the Iraqi war, and the massive fabrication of ‘threats’ back then. Or the last and current US administration's circumvention of international law, in order to justify huge counter-terrorism operations. Today, the Obama administration have moved more towards extrajudicial assinations, drones and special forces operations, and the CIA, together with parts of the US military, like the Joint Special Operations Command (JSOC) have turned into smooth war machines. What if it would lie in the interests of the US to launch the same counter-terrorism operations they carry out in Afghanistan or northern Pakistan in the heart of Europe, and the EU would condone it? That question lies at the core of my book. It's fiction, but at the same close to reality. Because all intelligence services depend more or less on each other. You trade intel, you build alliances. The US service is the most powerful player, simply on the strength of their vast capacities. They can push boundaries to fit their objectives and cooperate with European services when it serves their interests. The Brits have a privileged position in this business, being very close to the US system, whereas the Swedes are just a minor, but useful partner. As I put it in Into A Raging Blaze: the Brits and Americans create the weather of tomorrow, while the Swedes are forced to guess the forecast. In the novel, a young Egyptian-born civil servant in the Swedish Ministry of Justice is suspected of being linked to a terrorist cell. How much do you think immigrated Arabs, North Africans and people of Islamic origin are at risk of being unjustly persecuted? Or is paranoia justified in the face of a terrorist threat? Intelligence services nurture professional paranoia, and rightly so; it’s part of their job description to be suspicious. But in the today’s era of counter-terrorism, with its strong focus on Islamic fundamentalism, whole Muslim minorities run the risk of being regarded as a ‘problem’, or an environment conducive to political violence and terrorism. When a security service try to pin down someone who might pose a terrorist threat, a large number of people are screened, which is standard procedure for all investigations. The problem is, with the mass surveillance currently in use, it is possible to screen literally millions, which means that whole populations of Muslims or immigrants – for example, everyone in the UK with the surename ‘Mohammad’ – could be routinely monitored. This is a depressing reality, and adds to the strong islamophobic tendencies we witness in Europe today. In the UK, John Le Carré’s novels were instrumental in forming the spy compromised group in opposition to the realpolitik practices of ‘big brother’ CIA. In your novel there’s a similar relationship, but between the Swedish and British, relatively. Is this a realistic portrayal? Yes, absolutely! The only difference is, Swedes are nicer because they are weaker and further down the food chain in global politics. If Swedish services had the same spying capacity as the colleagues in Vauxhall, not to mention Langley, they would be meaner, I'm sure. But there are historic reasons as well to why Swedish services are less ruthless than their AngloSaxon counterparts: we have not been forced to fight for our survival in World War II or fight terrorism at home; we have no recent colonial history, no real ambition to dominate the world – other than perhaps through exports of pop music, cars and crime novels. Swedish intelligence services are just small, efficient sub-suppliers in the global security business. It’s funny you mention LeCarré, since his latest novel A Delicate Truth is quite a turnaround where he portrays the British government and the MI6 as the corrupt and morally rotten ones, don't you agree? I hope Mr LeCarré nods in approval of my portrayal of the Swedish-British relationship. The recent European elections saw a surge in extreme right-wing groups gaining votes. Why do you think this is, and how might it affect counter-terrorism and relationships between diplomatic services? Oh, I just get depressed when I think about the recent EU-parliament election . . .The reasons for this can probably be found in the recent economic recession that plagued many European countries since the Lehman Brothers crash in 2008. Europe is being strongly affected by globalization, and financial crises with immediate repercussions in national economies, resulting in redunduncies and harsher everyday lives for a lot of people. This generates fear and hatred. When citizens don't feel that there is a social contract anymore, that there is no state to provide them with basic services, there is always a temptation to join the populist chant. It’s easy to blame immigrants, or a weak minority with no voice, like the Roma. Fascism offers a tempting dream of unity and strength. It’s an enthusiastic ideology, selling easy solutions. Unfortunately, a lot of people are lost in this dream nowadays. To diplomats, the appearance of right-wing extremists in leading positions around Europe complicates bilateral relations. Some relations will become frosty, new alliances will be made. For example, a social liberal democracy like Sweden cannot rely on support from Hungary or Denmark in the EU-council for its view on migration. And so on. For professionals in the intelligence services, an increase of militant right-wing extremists of course means more work, and in the long-term perhaps also a shift towards monitoring right-wing terrorist networks more closely. After the Utöya massacre and the bombing of the Norwegian government offices in 2012, this has certainly been the case with Norwegian and Swedish security services. What are you writing next? I have a book out in autumn, 9,3 på Richterskalan (9,3 on the Richter scale). It's an eyewitness account of my days in Thailand after the tsunami on Boxing Day 2004. I was sent to Thailand as a member of some one the first response teams, being a young diplomat who just entered the service. My publisher calls it a harrowing read, I suppose it is. Right now, I'm writing the sequel to Into A Raging Blaze. You'll see more of Bente Jensen, this time in a family crisis with lethal consequences. Surveillance, counter-espionage, deadly lies and deception, all against the backdrop of the recent Crimea crisis. That’s about all I can tell you, the rest is classified!

Lisbeth Salander returns

THE GIRL WITH THE DRAGON TATTOO IS BACK

Lisbeth Salander and Mikael Blomkvist return in a continuation of Stieg Larsson’s Millennium series This much anticipated continuation to one of the best-loved crime series of the last decade will be published in Sweden as Det som inte dödar oss (“What Doesn’t Kill You”). The English-language title will differ, and is yet to be confirmed. David Lagercrantz, the author of “What Doesn’t Kill You”, will be visiting the UK in the Spring as part of a seven-month build up to publication which MacLehose Press are aiming to make the event of the publishing year. Publisher Christopher MacLehose said: “In one sense the chance to publish a new novel in the Millennium series merely underlines the sorrow of every one of his readers that Stieg Larsson could not have gone on to complete his planned ten-book oeuvre. But – and it is now almost a new and certainly fabled genre – the continuation by another hand has been long anticipated and David Lagercrantz will keep a very great storyteller’s flame alive. The MacLehose Press are delighted to help him to do that. David Lagercrantz wrote I AM ZLATAN IBRAHIMOVIC, the prize-winning and bestselling “autobiography” of the Swedish football star Zlatan Ibrahimovic and is also the author of a brilliant novel of the life and death of Alan Turing entitled FALL OF MAN IN WILMSLOW which we will publish in May of this year. Lagercrantz is simply an exceptional storyteller himself and his continuation of the Millennium series can be awaited by the millions of Stieg Larsson’s readers with confidence and great impatience.” Lagercrantz is a Swedish journalist and author. His ghosted autobiography I am Zlatan Ibrahimovic was one of the most successful books in recent years, not only in Sweden but worldwide; it was shortlisted for the William Hill Sports Book of the Year Award and the prestigious August Prize. Eva Gedin, the publisher of Norstedts, says: “We all felt that David Lagercrantz was perfectly suited for the task. He is an accomplished author who has created and written about complex and highly original characters throughout his career. We knew he would write this new Millennium novel in his own voice, while being faithful to the DNA of Stieg’s characters.” Stieg Larsson’s family has been involved at every stage of the process. They wrote an agreement with David Lagercrantz for this novel and, given his bona fides, gave him creative latitude while working on the project: “By letting David Lagercrantz write his own Millennium novel we keep the characters and the universe Stieg Larsson created alive.” Joakim and Erland Larsson, the Stieg Larsson Estate David Lagercrantz says: “Stieg Larsson was a master at creating complex stories with a lot of different plotlines and that was something I was determined to live up to . . . [His writing style] is down to earth and unaffected. But there is a kind of journalistic authoritativeness about his work. I realised early on how idiotic it would be for me just to imitate him. This is my own prose.” Stieg Larsson's Millennium books have sold more than 80 million copies in 50 countries making it one of the most successful series of novels in modern times. Publication worldwide will be on 27th August 2015, 10 years since Norstedts published Män som hatar kvinnor which in English was called The Girl with the Dragon Tattoo. For more information please contact: Christopher MacLehose, Publisher MacLehose Press - Christopher@maclehose.net Hannah Robinson - hannah.robinson@quercusbooks.co.uk or 020 7096 8332 Corinna Zifko - Corinna.zifko@quercusbooks.co.uk or 020 7096 8333

27 Sep
Bath

Piers Torday at Bath Literature Festival

12:15pm

Piers Torday at Bath Literature Festival

27 Sep
Bath

Piers Torday at Bath Literature Festival

12:15pm

Piers Torday at Bath Literature Festival

08 Oct
Norwich

Diana Souhami on The Real Edith Cavell at UEA

6pm
Welovethisbook.com

Q&A with Elly and Keith Walters

Elly Griffiths tells us about her fourth novel in the Ruth Galloway Investigation series, a possible BBC adaptation, and why she hates Time Team In A Room Full of Bones, new mother and forensic archeologist Ruth finds a museum curator dead ahead of the opening of a new medieval bones exhibition. How have the character dynamics changed now that Ruth Galloway’s one-year-old daughter Kate is around? It feels like a real privilege to have the time and space to develop the characters. It does get easier but I have to say that Kate was a challenge. I wanted her to be a distinct presence in Ruth’s life – every parent knows that a baby disrupts your life completely – but I didn’t want the books to become diatribes about the hardships of being a single parent. Are museums somewhere you spend a lot of time? I used to live in South London and visited the Horniman Museum in Forest Hill a few times. I have to say, though, that the museum that influenced me most is the Booth Museum in Hove. It’s very near my old school and I remember many happy stolen hours staring at the Great Auk... Was it always your intention to make Ruth dissimilar to traditional female detectives, with her clumsiness and weight issues? I just wanted to make her real. It wasn’t until after the book was published that I realised how many crime heroines were, in essence, superwomen – looking beautiful, cooking gourmet meals, running twenty miles before breakfast. Ruth could certainly eat a gourmet meal but she would struggle with the rest. Are the Rebus and Springsteen references in the books favourites of yours, as they appear to be the books and CDs of choice to Ruth Galloway? Do you have a favourite Boss album? Yes, I’m a big fan of both Ian Rankin and Bruce Springsteen. My favourite Springsteen album is Born to Run and my favourite track is Thunder Road. Are there any crime writers who have been a particular help or influence when you started out? I hadn’t read a lot of crime novels when I wrote The Crossing Places. My biggest influences were probably Victorian writers like Wilkie Collins. Since then I have met quite a few stars of the crime world and they have all been incredibly friendly and supportive. Val McDermid, in particular, has been delightful. Crime writers seem particularly charming. Maybe they exorcise all their demons in their books. I don’t know any Brighton-based writers, though I did meet Peter James when we were both shortlisted for the same award. You featured a location map in the first book, The Crossing Places, are there any plans to get maps into any future books? I love drawing maps and managed to get one into The House at Sea’s End. I think every book should have a map at the front. How do you write? My system hasn’t really changed. I write a rough chapter-by-chapter outline and then go for it. I write for about three hours a day and the rest of the time it’s going round in my head. I hope my plots have got a bit better as I’ve gone on though. Is Ruth going to be brought to the TV screen? The BBC has expressed interest, but I don’t think I’m allowed to say more than that. I would love to see Ruth on TV. Not sure who would play her, though... The location of your books is fantastic and they all give a tremendous sense of place - but could you ever see yourself writing Ruth into Brighton, or writing a standalone novel in Brighton? Or is your hometown too crowded with fictional crime already? Peter James does have Brighton sewn up and I’m sure I couldn’t better him. I do have a vague idea about a historical crime novel set in Brighton, though. My granddad was a music hall comedian and I’d love to write about that world. Ruth has no plans to leave Norfolk, although in book five she does visit Blackpool. Why does Ruth not like Time Team? Well, I have a bit of a grudge against Time Team, as my husband had a well-paid city job before he started watching it and now he’s a poorly-paid archaeologist! I think it’s a great programme, but Ruth, being a professional, would be rather sniffy about it (whilst, at the same time, watching it avidly). What can we look forward to next from Ruth Galloway or from Elly Griffiths? I’ve almost finished book five, which will be about Roman remains found near Blackpool. It takes Ruth into Nelson’s territory and, of course, into danger. I’ve already got a pretty good idea for Book 6. After that, who knows? A Room Full of Bones is out tomorrow, published by Quercus.

08 Oct
Norwich

Diana Souhami on The Real Edith Cavell at UEA

6pm

Diana Souhami: The Real Edith Cavell - A Biographer's Task

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