Vernon Subutex Two
By Virginie Despentes
The hunt for Virginie Despentes' enigmatic hero continues in the second title in her bestselling trilogy.
Rock star Alexandre Bleach might be dead, but he has a secret.
It's a secret that concerns several people, but the only person who can unlock it is Vernon Subutex, former record shop proprietor turned homeless messiah and guru, last seen hallucinating and feverish on a bench in the parc des Buttes Chaumont.
Aïcha wants to know the truth behind the death of her mother, Vodka Satana. And if she finds the bastards responsible, she wants to make them pay, whatever Céleste thinks of her plan.
Céleste wants Aïcha to get a grip and stop hanging around with Subutex's gang of disciples.
The Hyena wants to find the Bleach tapes. She wants to untangle her complicated feelings about Anaïs, her boss' assistant. And speaking of her boss, she does not want Laurent Dopalet to discover how badly she has double-crossed him.
Laurent Dopalet wants the Hyena to find and destroy the Bleach tapes. He wants to forget he ever knew Vodka Satana. He wants people to stop graffitiing his apartment with ludicrous allegations. Above all, he wants people to understand: NONE OF THIS IS HIS FAULT
VIRGINIE DESPENTES is a writer and filmmaker. Her first novel, Baise-Moi was published in 1992 and adapted for film in 2000. She is the author of over fifteen further novels, including Apocalypse Baby (2010) and Bye Bye Blondie (2004), and the autobiographical work, King Kong Theory (2006). She won the Prix de Flore in 1998 forLes Jolies Choses, the 2010 Prix Renaudot for Apocalypse Baby and Vernon Subutex One won the Prix Anaïs Nin in 2015, and was shortlisted for the Man Booker International in 2018.
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- Publication date:
13 Jun 2019
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Vernon Subutex Two presents Paris in all its glory and its grime. Sharply translated by Frank Wynne, this is the best multi-volume fiction series since Elena Ferrante — Fiammetta Rocco, 1843
Virginie Despentes continues her picaresque tour de force with the same driving energy sustained by vicious wit, exasperation, stark insight and compelling empathy . . . In her seething Paris of messed-up losers and relentless operators, Despentes exposes a universal society gone mad on greed, fear and ruthlessness — Eileen Battersby, Irish Times