A Summer of Murder
A Black Forest Investigation II
By Oliver Bottini
The second of the Black Forest Investigations - for fans of Val McDermid and Ann Cleeves
The second of the Black Forest Investigations - "Its plot bristles with invention" Guardian
When the fire brigade is called to a burning shed in the Black Forest idyll of Kirchzarten, a volunteer is killed as a weapons cache beneath it explodes. Louise Bonì, back with Freiburg Kripo after treatment and recuperation for her alcoholism, is assigned to the task force dealing with this case. The meagre evidence they have points to a possible connection with German neo-Nazis or illegal arms dealers from the former Yugoslavia, while the arrival of secret service agents suggests more is at stake. For Louise to solve the riddle she needs to overcome the ghosts of her past that continue to haunt her.
Oliver Bottini is a fresh and exciting voice in the world of crime fiction in translation; the Rhine borderlands of the Black Forest are a perfect setting for his beautifully crafted mysteries.
THE FIRST IN THE SERIES - ZEN AND THE ART OF MURDER - NOW SHORTLISTED FOR THE CWA INTERNATIONAL DAGGER
Translated from the German by Jamie Bulloch
Oliver Bottini was born in 1965. Four of his novels, including ZEN AND THE ART OF MURDER and A SUMMER OF MURDER of the Black Forest Investigations have been awarded the Deutscher Krimipreis, Germany's most prestigious award for crime writing. ZEN AND THE ART OF MURDER was shortlisted for the 2018 CWA International Dagger. He lives in Frankfurt. www.bottini.de.
- Other details
- Publication date:
23 Aug 2018
- Page count:
Oliver Bottini is a terrific storyteller and he evokes his setting - the Rhine borderlands of the Black Forest - with skill — Jake Kerridge, Sunday Express
Its plot bristles with invention — Barry Forshaw, Guardian
A Summer of Murder has a plot as surprising as the earlier novel . . . taut writing and pacy events — Joan Smith, Daily Telegraph
Oliver Bottini, one of the few German authors who play in crime-writing's premier league, really knows how to tell a good story — Frankfurter Rundschau
Tension without brutality, local colour without small-minded sentimentality, good, intelligent reading with depth — Handelsblatt
It's been a long time since any crime author started out so strongly, so visually — Die Zeit