'Vivid description, masterful sleight of hand and a lightness of touch add up to a terrific read for aficionados and newcomers alike' Guardian
Winter, 1953. A young flower seller is found dead in her room at a Brighton boarding-house, posed with chilling perfection into a recreation of the death of Lady Jane Grey. This is a killer unlike any DI Edgar Stephens has encountered before.
Across the city at the Hippodrome theatre, Max Mephisto is top of the bill in a double act with his daughter Ruby. Tarnishing the experience, though, is one of the other acts: a seedy 'living tableaux' show where barely-dressed women strike poses from famous historical scenes. Is the resemblance to the murder scene pure coincidence, or is life imitating art?
When another death occurs - this time within the troupe itself - Max once again finds himself involved in one of Edgar's cases, and a threat that will come closer to home than anything before. What should be just a job is about to become personal.