'Vignettes packed with poignant insights and laugh out loud dialogue, the reader is left amazed and delighted by this new author whose prose is reminiscent of Portman and Vonnegut yet wholly and wonderfully his own. Buy this book!' Canada Post.
'Rachman is an admirable stylist. Each chapter is so finely wrought that it could stand alone as a memorable short story... Funny, poignant, occasionally breathtaking novel' Financial Times.
'Hilarious and poignant debut... Rachman's strength lies in the rendering of the characters - all 11 are believable, flawed and lovable... The Imperfectionists is funny and prescient, but still full of hope' Yorkshire Post.
'sketched with lively charm... loaded with charm and insight, the novel brings human tenderness to an inky business besieged by budget cuts and online competition' Daily Mail.
'Rachman has a real gift for capturing a life in a few sentences ... we realise the book has taken us through the 50-year life of the newspaper, and brought to life a moving cast of characters. By turns, funny and desperately sad, Rachman's always readable novel is a terrific debut' The Jewish Chronicle.
'The Imperfectionists is alternately hilarious and heart-wrenching, and it's assembled like a Rubik's cube ... a cross between Evelyn Waugh's Scoop and Hunter S. Thompson's Fear and Loathing adventure ... (this) is so good I had to read it twice' New York Times Book Review.
'A precise, playful fiction with a deep but lightly worn intelligence' Times Literary Supplement.
Anyone who has ever spent time in newspaperland will recognize The Imperfectionists' high degree of authenticity. So will quite a few people beyond' Guardian.
'Light-footed lyricism... a series of acutely observed character sketches and a poignant sense of nostalgia' Glasgow Herald.
'expertly crafted ... sublime writing ... so beautifully written, so compassionate in its observation and understanding of human behaviour, that one cannot tear the eyes from the page. The sheer dexterity of the writing brings a haunting beauty to the many tragedies within the narrative' The Times.
'an addictive read: quirky without being daft, funny without being shallow and the sort of book many a journalist will wish they had written' Times.