This is a brilliant and unputdownable novel. Kehlmann is the true inheritor of the German fabulist tradition that stretches back to the Brothers Grimm and even further, and in the legendary prankster figure of Tyll Ulenspiegel he has found his perfect avatar
Kehlmann's best novel so far . . . amidst the destruction, in the places where nothing reflects the former inhabitants anymore, it is the dead who show themselves . . . we owe it to this novel that we can see the dead more clearly, so clearly that it hurts
Kehlmann's storytelling is astonishing
A masterpiece . . . the most extraordinary European novel for many years . . . a brilliant book of stories, of great drama, cinematic and poetic . . . Kehlmann is at the height of his powers
Possibly Kehlmann's best novel since Measuring the World
The best novel Kehlmann has ever written . . . Deeply affecting, lively, brutal, wonderfully unreserved, modern, romantic German epic . . . Tyll is Kehlmann's victory over history, his historic triumph
Tyll proves that Kehlmann is literature's jack-of-all trades. He manages to combine meticulous historical research and virtuoso language mimicry with a frightening exploration of our current sense of dystopia. An incredible educational experience and improbably entertaining.
Kehlmann's imagination runs deep and wild. It travels with the currents of history, in its cycles of brutality and violence, it reaches into our own solitude and silence, summoning us, it soars far and high, and echoes with the power of myth.
A beautiful, engrossing and fascinatingly structured novel. Lucid, limpid, savage. Tyll quietly intrudes on our present crisis of European identity. Have four centuries made us any wiser? This novel is a masterly achievement, a work of imaginative grandeur and complete artistic control